The Function of Mythical Consciousness in Indian English Fiction: A Study of Raja Rao and R. K. Narayan
Abstract
Mythical consciousness plays a vital role in shaping the thematic and narrative framework of Indian English fiction, serving as a bridge between tradition and modernity. This paper examines the function of myth in the works of Raja Rao and R. K. Narayan, highlighting how myth operates as a living mode of perception rather than a static inheritance. Raja Rao employs myth philosophically to interpret nationalism, spiritual identity, and metaphysical truth, particularly through Advaiticconcept epic symbolism in Kanthapura and The Serpent and the Rope. In contrast, R. K. Narayan integrates myth subtly within realistic narratives, using irony and moral symbolism to restore ethical balance in everyday life, as seen in The Man-Eater of Malgudi. Through a comparative analysis, the study demonstrates that mythical consciousness in Indian English fiction functions as a dynamic narrative force that preserves cultural continuity, critiques social injustice, and articulates universal human concerns within contemporary contexts.
References
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Rao, Raja. Kanthapura. Oxford UP, 1938.
Rao, Raja. The Serpent and the Rope. John Murray, 1960.
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